Wu Bingliang, a master of classical furniture design, together with the Qing Dynasty Palace Rosewood Furniture, Hainan Huanghuali Treasures Collection, the Vice President of the Yangcheng Chinese Arts and Crafts Association, the Deputy Director of the Chinese Traditional Furniture Professional Committee, and the Ming Style Furniture Design Master Wu Bingliang, recently brought the Qing Dynasty Palace Rosewood Furniture The treasure series and Hainan Huanghuali treasure series are visited in Yangcheng and exhibited at the Lingnan Exhibition Hall in Ersha Island, Guangzhou. These rare Ming-style classical art furniture are not only rare in materials, but also the designer has designed and improved the original craftsmanship of the Ming and Qing Dynasties. It can be said that the style, art and materials are both in keeping with the ancient style. It’s a first-hand impression, and it’s a rare traditional cultural art appreciation. The exhibition will end on December 6. Furniture is the carrier of the development of human civilization. With its humble body carrying the long-standing human civilization, it has made countless emotions and imaginations without regrets, and silently stated the development of furniture itself. The history of evolution is brilliant. Ming and Qing furniture, like calligraphy, painting, jade, porcelain, weaving, etc., is an important carrier of Chinese traditional culture. The history of Chinese furniture design and production can be traced back to the Qin and Han Dynasties and reached a peak period during the Ming and Qing Dynasties. The Ming Feng Qing style gathers the literary style of the literati in the past, and integrates the philosophical speculations of the Chinese intellectuals on the heavens and the ethics of the Chinese society and the ethics of the Chinese society, and pushes the different pursuits of Chinese culture to complexity and simplicity. The ultimate, it has become an outstanding achievement of human culture recognized by the world. The furniture is displayed in a deep and rigorous style. However, the actual logistics of wooden furniture is influenced by human factors and social turmoil, war and other human factors. It can be kept for hundreds of years. Fortunately, the respect of the original furniture of the Ming and Qing Dynasties is rarely possible, let alone possessing its original work. The high-quality Ming and Qing classical furniture (view map) exhibited at the Lingnan Exhibition Hall is made by Mr. Wu Bingliang using the old materials such as red sandalwood and huanghuali collected at the beginning of the reform and opening up, combined with his own research experience for more than 30 years. The imitation of Ming and Qing art furniture. These works of art are deeply and rigorous, and the Ming style breeze is quite different, or simple and elegant, or rich and solemn. This high imitation of classic art furniture, which is the same as the handed down old things, not only benefits the present, but also enables the audience to have a clear appreciation and understanding of the Ming artists, and it is beneficial to take this opportunity to let our children and grandchildren after hundreds of years. You can also see the elegance of China's Ming and Qing furniture, and continue to be brilliant. As we all know, Hainan huanghuali has been basically extinct as a tree species, and red sandalwood and Vietnamese huanghuali have also been increasingly cherished. Mr. Wu Bingliang’s centuries-old material of red sandalwood huanghuali, which has been eagerly searched by the people for many years, has recreated the art of Ming and Qing dynasty art and the innovation of the Ming and Qing dynasties. The traditional charm and individualized improvement, which is difficult to trace in the collection of Ming and Qing antique furniture, is undoubtedly a dazzling and high-five.
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