It is an ideal of the 19th century. For young people who know the world, it has too many practical colors. In many times and places, patriotism has become a passionate and heart-warming creed. Britain in the Shakespeare era, Germany in Fichte. Italy is the case in the Mazzini era; Poland, China and Outer Mongolia are still the same. In Western countries, it is still extremely powerful: controlling politics, social spending, and armaments. However, wise young people cannot accept it as a full ideal idea; they see that patriotism is indeed extremely good for the oppressed people, and once the oppressed nation is free, the former heroic nationalism becomes oppressive. It’s gone. The Poles, a nation that has been sympathetic to idealism since Maria Teresa’s “tears of tears†territory, has oppressed Ukraine in its own freedom. Ireland suffered from the British civilization for more than 800 years, and later banned the publication of many masterpieces with its free legislation. The Poles killed Ukrainians and the Irish ravaged literature and art. This makes nationalism seem to be an unsuitable ideal even for weak countries. If it involves a strong country, the controversy is even stronger. The Versailles peace treaty is not very encouraging for those who are fortunate to be killed in defending the ideals of their rulers' betrayal. Those who claim to work tirelessly to eliminate the war in the war have turned out to be the pioneers of drumism in their respective kingdoms. These facts have made all wise young people soberly aware that patriotism is the main source of our time. If it cannot be alleviated, it will surely put civilization in the dead.
progress. This is an ideal of the 19th century, with too many practical colors for young people who know the world. The measurable progress must be expressed in negligible things, such as the number of cars produced and the amount of peanuts consumed. Things that are truly meaningful are not measurable, and cannot cater to the way of the tout. Moreover, many modern inventions tend to fool people. I can cite examples like radios, walkie-talkies, and gas. Shakespeare measured the outstanding achievements of an era in the style of poetry, but this measure is outdated.
nice. With regard to beauty, some things sound old-fashioned, although it is difficult to explain why. If a modern painter is accused of seeking beauty, he will be indignant. Most artists today seem to be inspired by some dissatisfaction with the world, and as such, they would rather suffer stinging than calmly satisfy. Besides, many kinds of beauty need people's serious and careful attitude, not a wise modern person can do it. A small city-state, such as Athens or Florence, has a prominent citizen, and it must be very tall. The earth is the center of the universe. Human beings are the purpose of creation. His city exhibits the ultimate in humanity, and he himself is at the peak of his own city. In this case, Aeschylus and Dante can taste their own joy and sorrow. They feel that personal emotions are no small feats, and tragedy experiences are fully worthy of being displayed in immortal poems. However, modern people, once unfortunately come to think of themselves as a part of a statistical whole; in front of them, yesterday and tomorrow became a bleak line of enthusiasm. People themselves are a bit like animals, and when they have a short episode in the long silence, they will be fussed and screaming. "In addition to the natural needs of human beings, if there is no other enjoyment, there is no difference between them and the animals," said King Lear. This concept drove him crazy because it was incompatible with society at the time. Modern people are already familiar with this truth, but they are only concerned about trivial matters.
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